Ravel’s Daphnis et Chloé

The evening opens with Lili Boulanger’s brief, lively depiction of a spring morning, providing a luminous start before the textures shift for Szymanowski’s Symphony No. 4. Although titled a symphony, this work functions as a concertante piece where the piano is woven deeply into the orchestral fabric rather than standing apart. You will hear a blend of folk-inflected rhythms and intricate keyboard passages that lead into the second half’s focal point. Ravel’s Daphnis et Chloé is presented here in its complete form rather than the common shorter suites. By including the full score and the wordless contributions of the chorus, the performance captures the original narrative sweep of the ballet. Listen for the famous sequence representing sunrise, where Ravel uses woodwind ripples and swelling strings to mimic the breaking light. The work concludes with a frantic, rhythmic dance that requires the entire ensemble to play with significant force and precision.

Thomas Søndergård leads the Royal Scottish National Orchestra, an ensemble with a long history as Scotland’s national symphonic body. Based in Glasgow but frequent performers across the country, they are known for their expansive discography and versatile programming. Joining them is pianist Vadym Kholodenko, recognized for his technical command and clarity in demanding twentieth-century repertoire. The RSNO Chorus, prepared by director Stephen Doughty, provides the essential vocal layers for the Ravel, demonstrating the power of a large-scale symphonic choir in a live setting.

This concert takes place at the Usher Hall in Edinburgh and lasts approximately 110 minutes, including an interval. The venue is a traditional concert hall and there is no specific dress code, though most attendees opt for smart-casual attire. Given the inclusion of a major choral work and a piano concerto, it is a substantial evening that suits those looking for a full orchestral experience. While the music is evocative, it is a concert performance rather than a staged ballet, so you can focus entirely on the sound of the large ensemble.