Mahan Esfahani & Friends: Mahan Esfahani and Lars Anders Tomter

We are presented with a programme that explores the varied textures of the harpsichord and viola, ranging from the High Baroque to the present day. You will hear two sonatas by Johann Sebastian Bach, the G minor and D major, which allow the instruments to engage in complex, conversational counterpoint. These are complemented by a C minor sonata from his eldest son, Wilhelm Friedemann Bach, offering a glimpse into the more sensitive and turbulent style that followed the Baroque era. The mood shifts significantly with Poul Ruders’ Quickstep Rag, where you should listen for sharp, syncopated rhythms that challenge the traditional perceptions of the harpsichord’s capabilities. The addition of selections by György Kurtág introduces a modern, concentrated language to the afternoon. This sequence is designed to show how the keyboard's plucked attack provides a crisp foil to the sustained, mellow resonance of the viola across different musical centuries.

The London Symphony Orchestra is the resident ensemble at this venue, known globally for its versatility and expansive recording history. For this performance, we focus on two acclaimed soloists. Harpsichordist Mahan Esfahani has gained a reputation for championing his instrument in contemporary settings while maintaining a deep connection to early music. He is joined by Lars Anders Tomter, a violist respected for his technical precision and rich tonal palette. Together, they represent a partnership that bridges the gap between historical practice and modern innovation, drawing on the LSO’s long-standing tradition of excellence in chamber music performance.

This lunchtime recital takes place at LSO St Luke’s in London and lasts approximately 65 minutes. Given the shorter duration and the mid-day slot, it is an ideal choice if you are a first-time listener or looking for a concise musical break. The venue is an eighteenth-century church converted into a modern concert space, providing an intimate setting for these specific instrumental voices. There is no formal dress code required. You will be able to enjoy a diverse programme within just over an hour, making it a manageable introduction to chamber music.