RSNO Season Finale: Mahler Three

The evening is dedicated entirely to Mahler’s Symphony No. 3, a work of vast proportions that attempts to mirror the scale of the natural world. You will hear an expansive opening movement that evokes the stirring of life, followed by sections that draw inspiration from flowers, animals, and the stillness of the night. The orchestration is exceptionally large, allowing for a diverse range of textures from solitary woodwind calls to the resonance of heavy brass. As the performance progresses, two distinct choirs and a mezzo-soprano soloist join the texture, adding a human and celestial dimension to the symphonic frame. Listen for the contrast between the playful, rhythmic energy of the youth voices and the more solemn, reflective passages in the later stages. The work concludes not with a traditional loud finale, but with an extended, slow movement for strings that builds into a steady, radiant chorale. It is a long journey through different emotional landscapes, requiring patience and immersion as the music moves from primordial strength to quiet beauty.

Thomas Søndergård leads the Royal Scottish National Orchestra, an ensemble with a long history as a cornerstone of Scotland’s musical life. They are joined by mezzo-soprano Beth Taylor and two vocal groups: the RSNO Chorus, directed by Stephen Doughty, and the RSNO Youth Chorus, directed by Patrick Barrett. The orchestra is well-regarded for its handling of large-scale symphonic repertoire and its regular appearances at major UK festivals. The inclusion of BSL performer Paul Whittaker ensures the physical and rhythmic presence of the music is communicated through British Sign Language alongside the instrumentalists and singers.

This performance takes place at the Usher Hall in Edinburgh. With a running time of approximately 98 minutes and no interval, it is a substantial single-work event that requires a good level of concentration. The length makes it an immersive experience, though visitors should be aware there is no break for refreshments once the symphony begins. The production includes BSL interpretation by Paul Whittaker, making it a thoughtful choice for D/deaf or hard-of-hearing concertgoers. There is no specific dress code for this season finale; comfortable smart-casual attire is generally appropriate for this venue.