Tchaikovsky, Mozart and Ravel

We begin this evening with Tchaikovsky’s Francesca da Rimini, a symphonic poem that offers a turbulent and dramatic opening. You will hear the composer’s signature emotional intensity as he depicts a story of illicit love and storm-driven punishment. The energy then shifts towards the refined elegance of Mozart’s Piano Concerto No. 27. As the composer’s final work in this genre, it is marked by a sense of calm and clarity that allows the soloist to engage in a delicate dialogue with the orchestra. The second half of the performance is dedicated to Ravel’s Suites Nos. 1 and 2 from Daphnis et Chloé. These works are celebrated for their intricate textures and rich orchestral colours. We suggest listening for the way Ravel uses woodwind and percussion to evoke the rising sun and a sense of natural awakening. The transition from the structured classicism of Mozart to the expansive, shimmering soundscapes of Ravel provides a broad view of the orchestra's expressive range.

Vasily Petrenko leads the Royal Philharmonic Orchestra, an ensemble known for its extensive international touring and versatile repertoire. Based in London but frequently appearing in major regional venues, the orchestra is noted for its clarity and technical precision. They are joined by soloist Isata Kanneh-Mason, a pianist who has established a significant presence on the British concert stage through her focused interpretations and collaborative spirit. Petrenko, a conductor widely respected for his command of the Romantic and early twentieth-century Russian and French traditions, provides the guiding hand for this varied symphonic programme.

The performance takes place at the Royal Concert Hall in Nottingham and has a total duration of approximately 120 minutes. This two-hour window includes an interval, making it a standard evening length for a symphonic concert. The programme offers a balanced mix of familiar melodic themes and grand orchestral textures, which makes it an accessible choice if you are new to live classical music. There is no specific dress code for this venue, though most attendees opt for smart-casual attire. You should ensure you are seated before the conductor takes the podium for the Tchaikovsky opener.