Rhapsody in Blue

We are set for an evening that explores the breadth of American orchestral music, beginning with the energetic and rhythmic Overture to Bernstein’s Candide. This sets a lively tone for a programme that bridges the gap between traditional symphonic structures and the influence of jazz and folk traditions. You will hear Copland’s Short Symphony, noted for its rhythmic complexity, alongside Jessie Montgomery’s contemporary work, Hymn for Everyone. A central feature of the concert is Gershwin’s Rhapsody in Blue, where you should listen for the iconic opening clarinet glissando and the ways in which the piano moves between classical virtuosity and jazz-inflected syncopation. The evening concludes with William Grant Still’s Symphony No.4, often called the Autochthonous. Throughout this final piece, listen for the integration of blues harmonies and spiritual melodies into the large-scale orchestral form, representing a distinctively American symphonic voice. The progression of these works offers a balanced view of how North American composers have interpreted their heritage over the last century.

The Royal Liverpool Philharmonic Orchestra, one of the oldest professional symphonic ensembles in the UK, performs this programme under the direction of conductor Kellen Gray. Based at their namesake hall in Liverpool, the orchestra is widely respected for its versatility across both standard European repertoire and modern international works. They are joined for the Gershwin by pianist Junyan Chen. Gray is known for his commitment to highlighting diverse voices within the orchestral canon, while Chen brings a fresh technical precision to the soloist role. Together, they represent a collaborative approach to mid-century and contemporary scores.

This performance takes place at the Liverpool Philharmonic Hall and lasts approximately 120 minutes. It is an excellent choice if you are visiting the symphony for the first time, as the programme includes several high-energy works and recognisable melodies. As an orchestral concert rather than a staged production, there are no surtitles or specific language requirements. There is no formal dress code required at this venue; most attendees choose smart-casual attire. You should plan for a standard interval during the two-hour duration, though the specific timing of the break is determined by the conductor.