Helen Wilson and Matthew Brett

We are presented with a programme that moves through varied textures and atmospheres, led by the interaction between flute and percussion. The evening includes the UK premiere of a new work by Gary Carpenter, alongside pieces that highlight the versatility of these instruments. You will hear the rhythmic and melodic progression of the tango in Astor Piazzolla’s work and the atmospheric, water-themed soundscapes of Tōru Takemitsu. The selection spans from the classical structures of Alec Wilder to the more experimental elements of Tilmann Dehnhard, where a standard alarm clock is used as a rhythmic device. Listen for the contrast between the nimble, breathy qualities of the piccolo and the sharp, metallic resonance of the percussion ensemble. The sequence is designed to show how two musicians can fill a stage with sound through both traditional techniques and modern innovations like those found in Andy Scott’s Nemesis and Frédéric Devreese’s Butterfly.

The performance features Helen Wilson and Matthew Brett, appearing with the Royal Liverpool Philharmonic Orchestra. Based at their landmark home in the city, the orchestra is recognized for its extensive recording history and commitment to contemporary music. While often seen in a full symphonic capacity, this event places their soloists in the spotlight. Helen Wilson and Matthew Brett are known for their technical precision and their ability to navigate the complex rhythms of modern chamber and orchestral writing. Their collaboration here emphasizes the expressive possibilities of the woodwind and percussion sections within the ensemble's broader artistic output.

The concert takes place at the Liverpool Philharmonic Hall and has a total duration of approximately 120 minutes. Given the variety of shorter, contemporary pieces and the inclusion of a world premiere, this event is well-suited for regular concert-goers looking for new repertoire or for those interested in seeing how diverse instruments are used in a modern context. There is no formal dress code required for this performance. You should note that the hall is a comfortable, seated venue located in the heart of Liverpool, providing a focused environment for this two-hour programme.