Rodrigo’s Guitar Concerto with Sean Shibe

We begin this evening with Rossini’s Overture to The Silken Ladder, a piece that serves as a playful introduction through its brisk woodwind passages and high-spirited energy. You will hear the agility of the orchestra immediately, setting a bright tone before the central work of the night. Rodrigo’s Concierto de Aranjuez follows, shifting the focus to the delicate, rhythmic voice of the guitar. Listen for the famous second movement, where a haunting cor anglais melody leads into a deeply emotional dialogue with the soloist. The mood changes again in the second half as we move into Mendelssohn’s Symphony No. 4, known as the 'Italian'. This work captures the composer’s impressions of Mediterranean life. It opens with a burst of violins and concludes with a saltarello, a fast-paced folk dance. Together, these three works provide a journey through light, shadow, and rhythmic vitality, showcasing the different ways composers have translated European landscapes and traditions into orchestral sound.

The Philharmonia Orchestra brings this programme to life under the baton of conductor Nil Venditti. Based in London but frequently touring throughout the UK, the Philharmonia is recognised for its versatility and its long-standing residency programmes. Joining them is the guitarist Sean Shibe, who has established a reputation for his wide-ranging approach to his instrument and his technical precision. Venditti is known for her energetic presence on the podium, and here she leads the ensemble through a selection of works that demand both sharp rhythmic coordination and lyrical sensitivity.

This performance at the Bedford Corn Exchange has a running time of approximately 90 minutes. This duration, combined with a selection of melodic and well-known works, makes the evening particularly suitable if you are new to orchestral concerts or prefer a concise programme. The venue is a central fixture of the city's cultural life, and the seating is arranged to offer a clear view of the soloist and conductor. There is no specific dress code for this event, and we recommend arriving in good time to find your seat before the first notes of the overture.