Christmas Oratorio: Parts 1

The evening focuses on choral and orchestral works designed for the festive season, beginning with Jan Dismas Zelenka’s Credo from his Mass of St Mary. You will hear a composer known for his complex, often surprising harmonic shifts and intricate counterpoint. This is followed by the opening sections of J.S. Bach’s Christmas Oratorio. As this is a performance on period instruments, listen for the bright, distinct timbre of natural trumpets and the rustic, woody character of the woodwinds. The music shifts between celebratory choruses that use the full weight of the ensemble and intimate arias where a single singer interacts with a solo instrument. We suggest paying attention to how Bach uses dance rhythms to underpin the sacred text, creating a sense of forward momentum and joy. The combination of these two Baroque masters offers a contrast between Zelenka’s dense, idiosyncratic style and the familiar, architectural clarity of Bach’s writing.

The Orchestra of the Age of Enlightenment is a period-instrument ensemble known for its democratic structure and historically informed approach to the Baroque and Classical eras. Based in London, they frequently perform at the Southbank Centre, bringing a sense of curiosity to familiar scores. They are joined by conductor Václav Luks and a quartet of soloists: Sofia Kirwan-Baez, Helen Charlston, Guy Cutting, and Florian Störtz. Luks is recognised for his expertise in Central European Baroque music, making him a fitting choice for this programme. The soloists represent a blend of established and rising voices in the early music scene.

This concert takes place at the Queen Elizabeth Hall within London's Southbank Centre. The performance has a total duration of 120 minutes, which is a standard length for a seasonal choral event. The venue is a modern concert space with a clear view of the stage from most angles. Because the programme consists of separate movements and sections, it is a suitable choice if you are new to choral music or the Baroque style. There is no specific dress code for this venue; most attendees opt for smart-casual attire. Please note that the programme features sacred texts set to music.