Bach, the Universe & Everything: Finding Grace

We are invited to explore the intersection of early Baroque vocal music and the complex sound world of J.S. Bach. The evening opens with a selection of motets by Richard Dering, a composer whose work bridges the gap between English traditions and the expressive Italian style of the seventeenth century. You will hear how these smaller-scale choral pieces create an intimate atmosphere before the arrival of the main work. The centrepiece is Bach’s Cantata BWV 102, which translates to 'Lord, are Thine eyes not set upon faith?'. This is a vigorous and technically demanding composition. We should listen for the striking opening chorus, which uses jagged rhythms and insistent instrumental lines to reflect the intensity of the text. As the work progresses, Bach moves through a sequence of arias and recitatives that balance stern moral questioning with moments of profound lyrical beauty. The orchestra uses period instruments to bring a particular clarity and transparency to these dense textures, allowing you to hear the individual layers of the woodwinds and strings.

The Orchestra of the Age of Enlightenment is one of the most respected period-instrument ensembles in the United Kingdom. Based in London, they are known for their collaborative spirit and their commitment to performing music on the instruments for which it was originally written. In this performance, they are joined by Steven Devine, who directs from the keyboard. The ensemble has a long-standing reputation for fresh interpretations of the Baroque repertoire, moving away from rigid traditions to find the vitality and rhythmic drive inherent in eighteenth-century scores.

This performance takes place at King’s Place in London and has a total running time of approximately two hours. Given the thoughtful nature of the programme and the inclusion of both motets and a cantata, the event is well-suited to those who enjoy a structured, thematic approach to classical music. The venue provides a modern acoustic setting for the period instruments. There is no specific dress code for this Sunday concert, so you should feel comfortable in smart-casual attire. The programme is performed in a concert format without staging.