Lukas Sternath plays Beethoven

We begin this evening with a compact, high-energy work by Unsuk Chin, written to capture the unpredictable nature of musical force. You will hear sudden shifts in texture that lead directly into the youthful spirit of Beethoven’s Piano Concerto No. 1. While it follows classical structures, the solo part demands a nimble, rhythmic agility that signals the composer's emerging voice. To conclude, the orchestra performs Tchaikovsky’s Symphony No. 6, known as the Pathétique. This is a work of immense emotional weight that defies symphonic tradition by ending with a slow, fading lament rather than a grand celebration. Listen for the third movement’s march-like energy, which creates a sharp contrast to the profound stillness of the final minutes. The transition from the brightness of the early concerto to the shadows of the symphony provides a full journey through the capabilities of a modern symphony orchestra.

The London Philharmonic Orchestra is a resident ensemble at the Royal Festival Hall, respected for its versatility and its ability to navigate both traditional and contemporary scores. For this concert, they are led by Nikolaj Szeps-Znaider, a conductor known for his clarity and deep understanding of the romantic repertoire. Joining them is the young pianist Lukas Sternath. As a rising soloist, he is gaining recognition for his technical precision and thoughtful interpretations. Together, these performers bring a blend of seasoned orchestral experience and fresh solo energy to this varied programme of German, Russian, and modern works.

This performance takes place at the Royal Festival Hall on London’s South Bank. The total running time is approximately 87 minutes, making it a concise and focused experience for a Saturday evening. If you are new to orchestral music, the mixture of a recognisable concerto and a famous symphony provides a very accessible entry point. There is no specific dress code, though most attendees opt for smart-casual attire. You should expect the evening to end in a moment of quiet reflection, given the nature of the final piece on the programme.