Rachmaninov & Mahler

We begin the evening with Rachmaninov’s Rhapsody on a Theme of Paganini, a work that places the piano in a demanding and central role. As you listen, you will hear a familiar theme transformed through twenty-four distinct variations. While much of the piece is defined by its rhythmic wit and brisk energy, listen for the sudden shift into the Eighteenth Variation, where the mood softens into a broad, soaring melody that has become one of the most recognisable themes in the classical repertoire. Following the interval, the scale shifts significantly for Mahler’s Symphony No. 5. The work opens with a solitary, stark trumpet fanfare that signals the start of a sprawling five-movement journey. We travel from a sombre funeral march through to a bright, triumphant finale. A particular highlight to listen for is the fourth movement, the Adagietto, scored only for strings and harp. It was composed as a profound personal tribute to the composer's wife and offers a moment of intense, quiet reflection amidst the larger orchestral forces.

The Hallé returns to its home stage at The Bridgewater Hall under the direction of conductor Kahchun Wong. The orchestra is celebrated for its long history in Manchester and its proficiency in the core symphonic repertoire of the nineteenth and twentieth centuries. They are joined for the Rachmaninov by pianist Alexei Volodin, a soloist known for his technical command and sensitive interpretations of the great Russian piano works. Together, this ensemble and their guest conductor bring a reputation for thoughtful programming and a cohesive, collaborative sound that is well-suited to the demands of Mahler’s large-scale orchestration.

This performance takes place at The Bridgewater Hall in the centre of Manchester. With a total running time of approximately 120 minutes, including an interval, it is a substantial evening of music that offers a good balance for both regular concert-goers and those new to the symphonic form. The first half features a concise and engaging concerto style, while the second half allows you to experience the full power of a large orchestra. There is no specific dress code for this venue; most attendees choose smart-casual attire. Please ensure you are seated before the first work begins.