Elgar's Symphony No.1

The evening opens with Thomas Adès’s own composition, ... but all shall be well, a ten-minute piece that sets a contemplative tone for the more substantial works to follow. You will then hear Alban Berg’s Violin Concerto. This work is noted for its delicate balance of twelve-tone technique and lyrical beauty, often shifting between moments of profound grief and glimpses of transcendence. Listen for how the solo violin navigates the complex orchestral textures before resolving into a chorale. Following the interval, the programme turns to Edward Elgar’s Symphony No. 1. This fifty-minute work is a pillar of the British symphonic tradition. It is built around a distinctive, noble recurring theme that provides a steady emotional anchor amidst the symphony's more restless and turbulent passages. The progression from the sombre opening to the triumphant conclusion offers a clear narrative arc, making it a powerful example of how a large orchestra can sustain tension and release over a long duration.

The Hallé Orchestra performs here under the baton of conductor Thomas Adès. Based in Manchester, the Hallé is one of the United Kingdom’s oldest professional ensembles, known for its deep historical connection to the works of Elgar. Thomas Adès brings his perspective as both a renowned composer and a conductor to this programme. They are joined by soloist Christian Tetzlaff, a violinist recognised internationally for his technical precision and thoughtful interpretations of twentieth-century repertoire. Together, they bring a wealth of experience to these demanding scores, highlighting the ensemble’s skill in both contemporary and late-Romantic music.

This performance takes place at The Bridgewater Hall in Manchester. The concert has a total running time of approximately 82 minutes, excluding the interval. With a mix of a shorter modern work, a twentieth-century concerto, and a grand nineteenth-century symphony, the event is well-suited for those who enjoy varied orchestral colours. There is no specific dress code for this venue, so you should wear what makes you feel comfortable. The hall is a modern space designed for acoustic clarity, which will benefit the intricate details of the Berg and Adès pieces.