Brahms' Symphony No.1

We are set to hear a sequence of works that moves from the vivid rhythms of Eastern Europe to the grand architectural scale of the nineteenth-century symphony. The evening begins with Bartók’s series of short, lively dances based on traditional fiddle tunes, which provide a rhythmic and energetic introduction to the stage. This is followed by Ligeti’s concerto, a complex piece where you can listen for unusual tuning and intricate textures that challenge the soloist’s dexterity. The second half is dedicated to Brahms’s first symphony, a work that took the composer fourteen years to complete. As you listen, notice how the intense, driving tension of the opening movement eventually gives way to a spacious and optimistic finale. This concluding movement famously features a broad, lyrical melody that many listeners find reminiscent of the monumental themes in Beethoven’s writing, providing a grounded and satisfying resolution to the programme.

The Hallé Orchestra returns to its resident stage, continuing a long tradition of orchestral excellence in the north of England. Known for their versatility across both core romantic repertoire and modern masterworks, the ensemble is led on this occasion by conductor Gemma New. They are joined by soloist Leila Josefowicz, a violinist celebrated for her commitment to complex contemporary scores and her precise technical command. Together, these performers bring a reputation for intellectual depth and a clear, focused sound to a programme that demands both rustic energy and symphonic weight.

This performance takes place at The Bridgewater Hall in the centre of Manchester. With a total running time of approximately eighty minutes, the evening is well-suited if you prefer a concise concert experience or are attending a classical event for the first time. The venue is designed specifically for acoustic clarity, which will benefit the intricate details of the concerto. Although this is a dance-focused programme in concept, it is a concert hall performance rather than a staged theatrical event. There is no specific dress code, and most audience members opt for smart-casual attire.