Adriana Mater

We are introduced to a soundscape defined by the late Kaija Saariaho’s distinctive approach to orchestration, where shimmering textures often mask deep underlying tensions. This performance marks the UK premiere of a work that explores the cycles of conflict and the difficult path toward reconciliation. You will hear how Saariaho uses translucent, layered harmonies to represent the psychological states of the characters, set against a narrative that refuses simple resolutions. The libretto by Amin Maalouf is presented here in an English translation by Aleksi Barrière, which allows you to follow the dialogue and internal monologues closely as they unfold. Listen for the way the orchestral writing shifts from delicate, ethereal passages to moments of sudden, visceral intensity. The evening is shaped by a recurring tension between memory and the present moment, asking whether it is possible to break free from a violent heritage. The musical language is sophisticated and modern, yet it remains anchored in a strong sense of lyricism that carries the weight of the story.

The English National Opera performs this premiere under the baton of conductor André de Ridder, a musician noted for his versatility across contemporary and classical styles. He leads a cast that includes Kristina Stanek, Caspar Singh, Leigh Melrose, and Lauren Fagan. The ensemble is based at the London Coliseum and is widely recognised for its commitment to presenting works in English and championing modern repertoire alongside the traditional operatic canon. This production brings together a group of soloists experienced in delivering the intricate vocal lines and emotional depth required by recent operatic compositions.

This performance takes place at the London Coliseum, a historic and large-scale venue in the heart of London. The opera has a total running time of approximately 150 minutes. As this is a production by the English National Opera, it is performed in an English translation, which makes the narrative accessible to those who might be new to contemporary works. There is no specific dress convention noted for this venue, so you may wear what makes you feel comfortable for an evening at the theatre. Please arrive in good time to find your seat before the music begins.