Adriana Mater

We are preparing for the first UK performance of Kaija Saariaho’s operatic work, which features a libretto by Amin Maalouf translated into English by Aleksi Barrière. The score is notable for its intricate, shifting textures that create a visceral atmosphere rather than following traditional operatic structures. You will hear a story that explores the profound connection between a mother and her child against a backdrop of war and its aftermath. The music often moves between delicate, ethereal passages and moments of dense, surging intensity. Listen for how the orchestra reflects the internal emotional states of the characters, particularly during the transitions between the two acts. The narrative follows Adriana through the difficult circumstances of her son’s conception and his eventual growth into adulthood, questioning whether violence is an inherited trait. The evening is shaped by this tension between the hope of new life and the trauma of past conflict, conveyed through a vocal style that balances lyrical expansion with stark, modern declamation.

The English National Opera performs this contemporary work under the direction of conductor André de Ridder. The company is based at the London Coliseum and is recognised for its commitment to staging opera in English, making complex works accessible to a wide audience. Joining the ensemble are soloists Kristina Stanek, Caspar Singh, Leigh Melrose, and Lauren Fagan. De Ridder is highly regarded for his ability to lead intricate modern scores, while the cast brings together experienced voices known for their skill in interpreting the technical and emotional demands of twenty-first-century repertoire.

This production takes place at the London Coliseum, a historic and spacious venue in central London. The performance lasts approximately 150 minutes, making it a substantial evening of music theatre. As is standard for this company, the work is sung in English, which may assist those new to Saariaho's style in following the narrative. While there is no specific dress code, audiences typically opt for smart-casual attire. The length and modern musical language suggest this performance is well-suited to those interested in contemporary drama and atmospheric orchestral writing.