A Celebration of Quincy Jones

The evening focuses on the extensive work of Quincy Jones as a composer for the screen, moving away from his studio production to highlight his specific contributions to cinema and television. You will hear how he blended orchestral foundations with elements of jazz, soul, and rhythm to create unique soundscapes for a variety of genres. The selection includes the gritty, tense motifs from In the Heat of the Night and The Pawnbroker, alongside the playful, energetic themes found in Austin Powers and The Italian Job. We will also hear his work for the small screen, such as the familiar melodies from Ironside and Sanford and Son. Listen for the distinct ways in which Jones uses brass and percussion to drive the action forward, contrasting with the more expansive, emotive textures found in his writing for The Color Purple. The programme provides a comprehensive look at how these scores helped define the atmosphere of late twentieth-century media, showcasing a sophisticated range of moods and tempos across the two-hour duration.

Jules Buckley conducts the City of Birmingham Symphony Orchestra for this event. Buckley is well known for his ability to bridge the gap between classical traditions and contemporary popular music, often leading large-scale projects that re-examine the work of influential twentieth-century artists. The City of Birmingham Symphony Orchestra is a major international ensemble based at Symphony Hall. They have a long-standing reputation for versatility, handling both the core symphonic repertoire and complex modern film scores with equal precision. Here, the ensemble applies its technical skill to the rhythmic and soulful demands of Jones's arrangements.

This performance takes place at Symphony Hall in Birmingham and lasts approximately 120 minutes. The venue is renowned for its excellent acoustics, which are well-suited to the rich textures of a full orchestra playing film music. The programme is ideal for those who enjoy popular culture and screen history, making it a very accessible choice for first-time visitors or those less familiar with classical concert halls. There is no specific dress code for this event, and the atmosphere is likely to be welcoming and informal. Please ensure you allow sufficient time to be seated before the music begins.