Beethoven Symphony No. 5

We begin this evening with Caroline Shaw’s Entr’acte, a piece that draws its inspiration from the classical string quartet but refracts it through a contemporary lens. You will hear echoes of the eighteenth century filtered through a modern sensibility, creating a soundscape that is both familiar and unexpected. This leads into Joseph Haydn’s Cello Concerto in C Major, a work celebrated for its bright, rhythmic energy and the demanding agility it requires from the soloist. The second half of the performance focuses on Ludwig van Beethoven’s Symphony No. 5. You will recognise the famous four-note opening motif that recurs throughout the movements, acting as a rhythmic anchor. Listen for how this initial idea evolves, moving from the intense concentration of the first movement through to the eventual triumphant shifts in the brass. The transition from the third movement into the finale is a particularly atmospheric moment where the tension finally releases into a bright, expansive sound.

The BBC Philharmonic is a cornerstone of the musical life in the North of England, known for its versatile recordings and regular broadcasts. Under the baton of Eun Sun Kim, who is gaining international recognition for her clarity and precision on the podium, the orchestra brings a focused energy to this diverse programme. They are joined by cellist Daniel Müller-Schott, a soloist respected for his technical command and the warmth of his tone. Together, they balance the intricate, light-footed requirements of Haydn with the larger, more dramatic textures of Beethoven.

This orchestral concert takes place at The Bridgewater Hall in Manchester. The venue is purpose-built for acoustics, making it an excellent setting to hear the nuanced strings of the Shaw piece as well as the full power of the symphony. With a programme that includes one of the most famous symphonies ever written, this evening is well-suited for those new to classical music or visitors looking for an accessible introduction to the genre. No specific dress code is required, and there is no mention of an interval, though orchestral events of this length usually include one.