Gods Among Men

The evening is structured around the versatility and technical demands of the piano, beginning with two twentieth-century works that explore light and movement. Benjamin Britten’s Young Apollo is a brief, energetic piece for piano and strings, noted for its bright textures and driving momentum. This is paired with John Adams’ Eros Piano, which offers a more minimalist and atmospheric experience. You might listen for the way Adams uses the keyboard to create shifting patterns that seem to hang in the air, a contrast to the sharp clarity of the Britten. The second half of the concert turns to Wolfgang Amadeus Mozart’s Piano Concerto No. 9, known as the ‘Jeunehomme’. This work represents a significant leap in the development of the concerto form. Listen for the unusual moment in the first movement where the soloist enters almost immediately, breaking the traditional orchestral introduction. It is a work of immense character, moving from a lively opening to a deeply expressive middle movement before concluding with a playful rondo.

The BBC Philharmonic is a cornerstone of the musical landscape in the North of England, based in Greater Manchester. They are recognised for their wide-ranging repertoire, which spans from core classical masterpieces to challenging contemporary commissions. For this performance, they are joined by the pianist Pavel Kolesnikov. Kolesnikov has gained a reputation for his thoughtful and often unconventional interpretations of the piano literature, bringing a fresh perspective to both modern and historical scores. Together, the ensemble and soloist provide a balanced partnership suited to the technical shifts required by a programme that spans three centuries.

This performance takes place at the Royal Northern College of Music in Manchester. The programme features three distinct works, making it an accessible choice if you are new to orchestral music or interested in the evolution of the piano concerto. As the evening consists of a series of shorter and mid-length pieces rather than a single long symphony, there are natural points for reflection between the works. There is no specific dress code for this venue, though most attendees opt for smart-casual attire. Please check your tickets for the exact duration, as no interval timings or end times have been provided.