ASMF & Jan Lisiecki

The evening is dedicated to the piano concertos of Ludwig van Beethoven, works that chart a profound evolution in the relationship between the soloist and the orchestra. In these pieces, you will hear how the piano moves from a conversational partner in the earlier classical style to a heroic protagonist battling against a wall of sound in the later works. We suggest listening for the delicate interplay in the slow movements, where the piano often introduces intimate, singing themes that the ensemble then expands upon. The programme highlights the technical demands placed on the soloist, particularly in the rapid scale passages and the dramatic, improvisatory feel of the cadenzas. Because these concertos were written during a period of significant keyboard development, the music often pushes the boundaries of the instrument's range and volume. The shift from the bright, rhythmic clarity of the first two concertos to the brooding, revolutionary weight of the later pieces provides a comprehensive look at the composer's creative development.

The Academy of St Martin in the Fields is a renowned London-based chamber orchestra, originally founded to perform in the very church that shares its name. They are celebrated for their refined sound, agility, and a vast discography that covers the breadth of the classical and baroque periods. For this performance, they are joined by pianist Jan Lisiecki. Lisiecki has built an international reputation for his thoughtful interpretations and technical precision. Together, they bring a wealth of experience to this cycle, often performing without a separate conductor to maintain a direct and instinctive musical dialogue between the keyboard and the strings.

This performance takes place at the Academy of St Martin in the Fields in London, the historic home of the ensemble. The church setting provides a specific acoustic character that suits the scale of a chamber orchestra and piano. No specific running time or interval details have been provided for this date. As this is an orchestral concert rather than a staged opera, there are no surtitles or language requirements to consider. There is no formal dress code, though most attendees usually opt for smart-casual attire. The venue is a landmark in central London, situated near Trafalgar Square.