ASMF & Jan Lisiecki

We are invited to experience a concentrated exploration of the piano concerto form through the works of Beethoven. The programme centres on the dialogue between the soloist and the chamber orchestra, a hallmark of the composer’s writing. You will hear how these works evolved from their classical roots into something more expansive and expressive. We should listen for the intricate interplay between the keyboard and the woodwinds, as well as the moments where the piano leads the ensemble through complex harmonic shifts. The evening is shaped around the clarity and precision required for these specific concertos, offering a chance to observe the technical demands placed on the soloist. The programme focuses on the distinct character of each concerto, from the more traditional structures to the later, more adventurous compositions. It provides a comprehensive view of how one composer redefined the relationship between a single instrument and a full instrumental group over several decades.

The Academy of St Martin in the Fields performs here with pianist Jan Lisiecki. Based in London, the ensemble is renowned for its refined sound and a vast discography that covers a wide range of the orchestral canon. They are particularly noted for their work without a formal conductor, relying instead on a shared musical intuition. Jan Lisiecki joins them as the soloist, bringing his specific approach to this significant cycle of works. Together, they represent a partnership focused on clarity and stylistic integrity, qualities for which both the ensemble and the pianist are well known globally.

This performance takes place at the Academy of St Martin in the Fields church in London on 22 August 2027. The venue provides an intimate setting for this type of orchestral programme, allowing you to be close to the music. The duration of the event is not specified, but a cycle of this nature typically makes for a substantial evening. This concert is well suited to those interested in core classical repertoire. There is no specific dress code mentioned for this venue, and the performance is purely instrumental, so no surtitles or translations are required.