
The Scandal at Mayerling
Scottish Ballet
- Date night
- Great for groups
- Family-friendly
- Early finish
- Date
- Thu, 8 Apr 2027
- Time
- 19:30 · 2h 0m
- Venue
- Theatre Royal, Glasgow
- City
- Glasgow
- Conductor
- Martin Yates
- Tickets
- See booking site
You'll be taken to the ensemble's official site.
Summary
Scottish Ballet performs Sir Kenneth MacMillan’s choreography to the music of Franz Liszt, with Martin Yates conducting the orchestra for this production entitled The Scandal at Mayerling.
Why it's fantastic
This production reconstructs a true 1889 royal tragedy using the dark, dramatic music of Franz Liszt to tell a story of obsession and secrets. It is an ideal entry point for anyone who prefers gritty, cinematic storytelling over traditional fairy tales, offering two hours of intense psychological theatre.
Our guide to this performance
What you'll hear
The evening is built around Sir Kenneth MacMillan’s choreography, which prioritises psychological depth and narrative movement. You will hear the music of Franz Liszt, arranged to support a story rooted in a historical royal tragedy from 1889. The score is notable for its dramatic intensity, shifting between grand, sweeping gestures and more intimate, unsettling passages that reflect the internal lives of the central figures. Unlike ballets that rely on light, decorative sequences, this production is shaped by a dark and cinematic atmosphere. You should listen for how the orchestration heightens the sense of obsession and growing isolation on stage. The choreography focuses on complex partnering and raw emotional expression rather than traditional patterns, creating a continuous arc of tension. The combination of Liszt’s restless Romanticism and MacMillan’s unflinching approach to human frailty ensures a performance that feels closer to theatre than conventional dance, emphasising the weight of secrets and the gravity of the historical events depicted.
Who's performing
Scottish Ballet brings this production to life, a company recognised for its versatility and its ability to blend classical technique with contemporary dramatic flair. Based in Scotland, the ensemble has built a reputation for tackling complex narrative works that require both technical precision and deep acting ability. Joining them in the pit is conductor Martin Yates, who is frequently associated with large-scale balletic scores and possesses significant experience in navigating the emotional shifts required for MacMillan’s specific style of storytelling. Together, they provide a cohesive interpretation of the music and movement.
Planning your evening
This performance takes place at the Theatre Royal in Glasgow and lasts approximately 120 minutes. It is a suitable choice if you enjoy gritty, character-driven stories rather than lighthearted fairytales. As the narrative is told through movement and music, there are no spoken parts or surtitles to follow. The venue typically does not enforce a strict dress code, so you can dress comfortably for a standard evening at the theatre. The duration is ideal for those seeking a full-length production that remains concise enough to conclude within two hours.
Written by the Bravura editorial team from the ensemble's published programme and venue information. We don't reproduce copy from box-office sites. Spotted something wrong? Tell us.
Programme
- 01Franz Liszt
- 02Sir Kenneth MacMillan


