Visionaries: Robbins and MacMillan

We expect this evening to offer a study in contrast, moving between two distinct choreographic styles that defined the latter half of the twentieth century. The programme features a minimalist work by Jerome Robbins, which you will find focuses on the intimate relationship between the dancers and the music of Chopin. The absence of elaborate staging allows for a clear view of the intricate footwork and the subtle, playful interactions between the performers. Following this, the mood shifts towards the emotive, narrative-driven style of Kenneth MacMillan. Here, the movement is set to the expansive, evocative music of Mahler. You should listen for how the piano’s delicate phrasing in the first half gives way to a richer orchestral sound, providing a different weight to the evening’s second half. Together, these works highlight how two different masters used classical technique to express varying human conditions, from the light and abstract to the deeply poignant. The full list of specific pieces has not yet been confirmed, but the pairing of these two creators promises a balanced and thoughtful evening.

The Royal Ballet and Opera performs this programme at its home in Covent Garden. As one of the world’s leading companies, the ensemble is celebrated for its deep connection to the works of Kenneth MacMillan, whose legacy is central to their identity. The company is equally well-regarded for its versatility, maintaining a vast repertoire that spans from nineteenth-century classics to modern abstract works. You will see the company’s signature style, which combines precise technical ability with a strong emphasis on dramatic expression, brought to the works of both Robbins and MacMillan.

This performance takes place at the Royal Opera House in London. The venue follows a relaxed dress convention, though many visitors choose to dress smartly for an evening at the ballet. As the programme features two distinct works by different choreographers, there will likely be an interval between the pieces, making it a good choice if you prefer a performance with a clear break. While the running time is not yet specified, mixed programmes of this nature often suit both regular attendees and those new to ballet who wish to see different styles in one sitting.