MADDADDAM

We are set to experience a triptych of works that translate Margaret Atwood’s dystopian literary landscapes into a physical medium. You will hear a score that supports a three-part structure, mirroring the narrative scope of the source novels. The evening is shaped by Wayne McGregor’s specific choreographic language, which often involves high-velocity movements and complex geometric patterns. You should listen for how the musical atmosphere shifts between each section of the triptych to reflect the differing moods of Atwood's imagined futures. The choreography typically focuses on the extreme capabilities of the human body, providing a visceral counterpart to the cerebral nature of the books. As you watch, look for the way the dancers navigate the stage in clusters or isolated solos, representing the survival and social themes found within the trilogy. The production moves from expansive group sequences to moments of intense, singular focus, offering a comprehensive overview of this specific creative collaboration.

The Royal Ballet and Opera is performing this work at its home ground in London. As one of the world’s leading resident companies, the ensemble is celebrated for its technical precision and its ability to handle both nineteenth-century classics and demanding contemporary commissions. They are particularly well-regarded for their long-standing relationship with Wayne McGregor, whose modern style requires a unique blend of classical rigour and fluid, experimental athleticism. The dancers are known for their versatility, bringing a high level of detail to these complex, multi-layered productions that often push the boundaries of traditional balletic movement.

This performance takes place at the Royal Opera House in London. Because it is a contemporary ballet consisting of three parts, it offers a varied experience for those new to the art form who may enjoy seeing different thematic movements in one evening. There is no dress code for this venue, though many visitors choose smart-casual attire. The total running time has not been specified for this date. As this is a dance production, there is no dialogue or singing to be translated, making it accessible regardless of language. We recommend arriving early to navigate the historic building.