
4.48 Psychosis
The Royal Ballet and Opera
- Date night
- Great for groups
- Date
- Thu, 22 Oct 2026
- Time
- 19:15
- Venue
- Royal Opera House
- City
- London
- Tickets
- See booking site
You'll be taken to the ensemble's official site.
Summary
The Royal Ballet and Opera performs Philip Venables’ operatic adaptation of Sarah Kane’s final play at the Royal Opera House.
Why it's fantastic
This staging transforms Sarah Kane’s final play into a visceral exploration of the human psyche through Philip Venables’ score. It is an intense opportunity to experience how contemporary opera tackles the most challenging depths of emotion within the grand, resonant surroundings of this historic lyric theatre.
Our guide to this performance
What you'll hear
We are preparing for a performance that translates the fragmented, internal language of Sarah Kane’s final play into a sonic landscape. Philip Venables’ score does not follow a traditional narrative arc; instead, you will hear the music articulate the shifts between clinical observation and raw vulnerability. The orchestration often mimics the rhythms of speech and the intrusive sounds of medical environments, using percussion and electronics to heightening the tension. You should listen for how the vocal lines interact with these textures, sometimes blending in and sometimes struggling against them. The evening is shaped as a continuous, intense exploration of a single consciousness, moving through various states of mental distress. By using a small ensemble rather than a full Romantic orchestra, the work creates an intimate, claustrophobic atmosphere that reflects the play’s setting within the human mind. It is a stark, modern approach to the operatic form that prioritises emotional directness over conventional melody.
Who's performing
The Royal Ballet and Opera brings this contemporary production to its main stage. Based at their historic home in Covent Garden, the resident ensembles are widely recognised for their ability to handle both the technical demands of the standard repertoire and the experimental nature of twenty-first-century commissions. The company frequently collaborates with living composers to push the boundaries of what a lyric theatre can produce. In this performance, you will see how their specialized vocalists and instrumentalists navigate the complex rhythmic challenges and unconventional vocal techniques required by Philip Venables’ writing.
Planning your evening
This performance takes place at the Royal Opera House in London. As the work is an adaptation of Sarah Kane’s final play, you can expect the themes to be very dark and challenging. The production is sung in English, which allows you to follow the libretto closely as it unfolds. Because the subject matter is exceptionally intense, we suggest this evening is best suited to those who appreciate modern, boundary-pushing drama rather than those seeking a traditional night of light entertainment. There is no specific dress code for this venue, though many visitors choose smart-casual attire.
Written by the Bravura editorial team from the ensemble's published programme and venue information. We don't reproduce copy from box-office sites. Spotted something wrong? Tell us.


