Cinderella

For this production, you will hear Sergei Prokofiev’s 1945 score, a work noted for its harmonic depth and sharp rhythmic character. As the evening unfolds, the music moves between the brittle, acidic tones associated with the step-sisters and the expansive, lyrical melodies of the central romance. Michael Pink’s choreography avoids traditional pantomime tropes, focusing instead on a grounded narrative arc set in imperial Russia. You should listen for the insistent, percussive ticking of the percussion section as the deadline of midnight approaches; the score builds a palpable sense of tension and physical urgency. The orchestral writing is sophisticated, providing a psychological landscape for the dancers rather than just a rhythmic backdrop. The transition from the intimate domestic scenes to the grandeur of the imperial setting is mirrored in the shifting scale of the orchestration, which we expect to be a focal point of the performance.

Northern Ballet is a Leeds-based ensemble known for its focus on narrative-driven dance and cinematic storytelling. They have a long-standing reputation for bringing literary and historical dramas to life through a blend of classical and contemporary movement. On this occasion, they are joined by conductor Daryl Griffith, who leads the live orchestra. The company is particularly regarded for the clarity of its dramatic characterisation, making them a fixture of the British touring circuit and a cornerstone of the arts scene in the north of England.

This performance takes place at the Leeds Grand Theatre, the home venue for Northern Ballet. The production has a total running time of approximately 160 minutes, which includes intervals. Given the clear narrative and the familiarity of the story, it is a suitable choice if you are new to ballet or prefer a full-length evening of theatre. There is no specific dress code for this venue; most attendees choose smart-casual attire. The seating offers varied sightlines across different price tiers, starting from ten pounds.