Cinderella

We are following the familiar arc of a mistreated daughter finding her way to a royal ball, but the atmosphere created by Michael Pink and Sergei Prokofiev is notably distinct from a light-hearted children's tale. You will hear a score that leans into the psychological depth of the characters, using sharp orchestral colours and shimmering, often uneasy melodies to depict the passage of time. Throughout the three acts, listen for the percussion that mimics the relentless ticking of a clock, a motif that heightens the tension as the evening progresses. The choreography works in tandem with these musical shifts, moving from the grounded, domestic struggles of the opening scenes to the expansive and dreamlike sequences at the palace. The evening is shaped by this balance of intimate human emotion and large-scale spectacle, providing a clear narrative thread that relies on movement rather than words to convey the magic and the eventual heartbreak of the midnight deadline.

Northern Ballet is based in Leeds and has built a strong reputation for narrative-driven dance that prioritises clear storytelling and character development. Their ensemble is known for its versatility, often bringing literary classics to life through a blend of classical and contemporary movement. For this production, Daryl Griffith takes the podium to lead the orchestra. Griffith is a regular collaborator with the company, experienced in navigating the specific demands of Prokofiev’s complex rhythmic structures. Together, the dancers and musicians aim to present a cohesive vision of the drama that is both musically rigorous and physically expressive.

This performance takes place at the Leeds Grand Theatre and runs for approximately two hours and 40 minutes, which includes two intervals. Given the clear storyline and the visual nature of the production, this is a suitable choice for those new to ballet. As a full-length evening performance in a historic venue, many attendees choose to dress in smart-casual attire, though there is no formal dress code enforced. We suggest allowing time for the intervals to explore the venue's Victorian architecture, as the three-act structure makes for a longer stay in the theatre.