Cinderella

We are invited to experience a substantial production of the classic fairytale, choreographed by Michael Pink. You will hear the familiar melodies of Sergei Prokofiev, whose score is known for its ability to convey both high drama and delicate emotion through the orchestra. The music moves between the sweeping, romantic themes associated with the central transformation and more angular, rhythmic passages that signal the ticking of time and the obstacles faced by the protagonist. This version prioritises narrative clarity, using the lush textures of the live music to ground the magical elements in a more grounded emotional reality. You should listen for how the woodwinds and brass sections heighten the tension during the story’s more urgent moments, particularly as the evening builds toward its famous conclusion. The structure of the evening allows for a full immersion in the visual storytelling, supported throughout by the intricate layers of Prokofiev's writing.

Northern Ballet returns to their home city of Leeds for this performance, accompanied by the orchestra under the baton of Daryl Griffith. The company is widely recognised for their commitment to narrative dance, often blending classical technique with a distinctive theatrical sensibility that focuses on character development. Their repertoire regularly features large-scale productions that tour extensively across the UK. Daryl Griffith brings significant experience in conducting major scores for the stage, ensuring that the musical interpretation remains tightly synchronised with the movement of the dancers throughout this lengthy evening.

The performance takes place at the Leeds Grand Theatre and has a total duration of approximately two hours and forty minutes. This is a significant time commitment, though the familiar story makes it accessible for those new to the art form. As a traditional ballet performance in a historic city centre venue, there is no formal dress code, though many attendees choose smart-casual attire. You should plan for a full evening out, as the three-act structure usually includes intervals, allowing you to reflect on the production between scenes.