Cinderella

For this production, you will hear Sergei Prokofiev’s 1945 score, a work known for its vivid, atmospheric character. The music moves between sharp, rhythmic motifs that represent the clocks and mechanics of the story, and expansive, sweeping melodies that support the central romantic arc. As you listen, we suggest paying close attention to the way the orchestration mirrors the shifting moods of the narrative, from the darker, more cynical elements of the household to the ethereal textures of the ball. The evening is shaped by Michael Pink’s choreography, which translates the classic folk tale into a full-scale ballet. The production is structured to allow the musical narrative to breathe across several acts, ensuring the familiar trajectory of the story is grounded in the complex, sometimes biting harmonies that make Prokofiev’s writing distinct from earlier, more traditional fairytale ballets. It is a substantial programme that balances theatrical drama with symphonic depth.

Northern Ballet brings this production to their home ground, where they are celebrated for their focus on narrative-driven dance and high production values. The company is particularly known for touring original full-length ballets that prioritise storytelling through movement. In the pit, Daryl Griffith leads the orchestra. Griffith is a conductor with significant experience in both live performance and recorded media, often noted for his work with cinematic and descriptive scores. Together, the ensemble and conductor provide a cohesive interpretation of the music and movement, maintaining the company’s reputation for clear, accessible, and technically proficient dramatic ballet.

This performance takes place at the Leeds Grand Theatre, a historic venue in the heart of the city. With a total duration of 160 minutes including two intervals, this is a longer evening at the theatre. It is well-suited to those who enjoy a full-length narrative ballet rather than a shorter mixed bill. The venue has no specific dress code, so you should feel comfortable in smart-casual attire. Given the length of the work and the inclusion of two breaks, you will have ample time to navigate the building between acts.