Mahler meets Beethoven

The evening begins with the understated opening of Beethoven’s Piano Concerto No. 4. You will hear the piano introduce the first movement alone, a departure from the grand orchestral introductions typical of the period. This work is celebrated for its lyrical quality and the delicate dialogue between the soloist and the ensemble. After the interval, the scale of the performance expands significantly for Mahler’s Symphony No. 1. This work builds from a hushed, shimmering opening that evokes the stillness of a forest at dawn. Throughout the four movements, we hear Mahler weave together elements of nature, rustic folk dances, and a minor-key transformation of a familiar nursery rhyme. The music moves from these intimate moments to a brass-heavy, high-energy conclusion that utilizes the full physical power of a large-scale orchestra. Listen for the off-stage trumpet calls and the distinctive use of the double bass in the third movement.

The London Philharmonic Orchestra is one of the resident ensembles at the Southbank Centre, known for its versatility and vast discography. Joining them is conductor Karina Canellakis, who has established a significant reputation for bringing clarity and structural rigour to large Romantic and early-modern scores. The soloist for the Beethoven concerto is Alice Sara Ott, a pianist recognised for her technical precision and thoughtful interpretations. Together, these performers represent a collaboration between a staple British institution and two highly regarded international artists at the peak of their careers.

This concert takes place at the Royal Festival Hall in London. With a total duration of approximately 90 minutes, it is a well-proportioned evening for those who enjoy standard symphonic lengths without a late finish. The pairing of a familiar concerto and a major symphony makes this an accessible choice if you are new to orchestral music. There is no formal dress code required at this venue; most attendees choose smart-casual attire. Please note that the hall features tiered seating with clear sightlines to the stage.