Rachmaninov's Symphony No.3

We begin this evening with the first public hearing of a new orchestration by Colin Matthews, who has reimagined three songs by Ravel. This world premiere introduces a sequence defined by rich textures and vivid orchestral palettes. You will then hear Szymanowski’s Violin Concerto No.2, a work that moves away from the composer’s earlier impressionism towards something more grounded in folk traditions, yet still intensely lyrical. Listen for the way the solo violin weaves through the dense, often shimmering orchestral background. The second half belongs to Rachmaninov’s Symphony No.3. Written while the composer was living in Switzerland, it is a work of contrasts. You may notice a pervasive sense of longing for a lost homeland, yet this is balanced by a leaner, more rhythmic energy than is found in his earlier symphonies. The piece follows a three-movement structure, though the central movement serves as both a slow interlude and a spirited scherzo, showcasing the full range of the ensemble’s technical capabilities.

Nicholas Collon leads the Hallé Orchestra for this performance. The Hallé is one of the most established symphonic ensembles in the United Kingdom, deeply rooted in the musical life of Manchester and widely respected for its long history of championing both new commissions and the core Romantic repertoire. Joining them is soloist Emily Davis. The ensemble is known for its clarity and cohesive sound, qualities essential for navigating the complex orchestrations of Ravel and Szymanowski. This collaboration brings together a conductor noted for his detailed preparation and an orchestra with a distinct, warm sonic identity.

This performance takes place at The Bridgewater Hall in Manchester. The evening has an approximate running time of 70 minutes, which makes it a suitable choice if you prefer a shorter concert experience or are attending a classical event for the first time. There are no specific dress codes for this venue; most attendees choose smart-casual attire. The programme offers a balanced mix of a short new work, a concerto, and a standard symphony. All works are instrumental, so there are no languages or surtitles to consider during the presentation.