Angel’s Bone

We are presented with a concise yet intense operatic work that utilizes a supernatural framework to examine the realities of modern slavery and human trafficking. The narrative centres on two fallen angels discovered in a suburban garden, whose presence triggers a shift from initial care to exploitation. Musically, you will hear a score that blends traditional chamber instrumentation with electronic elements and abrasive sounds, reflecting the harshness of the subject matter. The evening is shaped as a continuous, seventy-five-minute arc without an interval, driving towards a conclusion that demands reflection on systemic abuse. Listen for the stark vocal contrasts between the celestial figures and their captors, as well as the way the orchestra builds tension to mirror the loss of autonomy. While the setting involves elements of the fantastic, the emotional core remains grounded in contemporary human rights issues, resulting in a performance that is both direct and demanding in its focus.

English National Opera provides the musical and dramatic foundation for this production, performing at their resident theatre. The company is recognised for presenting works in English and championing modern repertoire alongside the classics. Conductor Baldur Brönnimann, known for his commitment to complex contemporary scores, leads a cast including Allison Cook, Rodney Earl Clarke, Mariam Wallentin, Matthew McKinney, and Keith Pun. These soloists bring together a diverse range of vocal backgrounds, suited to a work that requires both operatic precision and raw, unconventional expression. Together, they navigate a score that challenges the boundaries of the genre.

This performance takes place at the London Coliseum and lasts approximately seventy-five minutes. Because there is no interval, it is an ideal choice if you prefer a concentrated experience that does not occupy the whole night. Given the subject matter of human trafficking, the production contains mature themes. As with all English National Opera productions, the work is performed in English. There is no formal dress code at this venue; most attendees opt for smart-casual attire. You should plan to be in your seat on time, as the short duration makes late entry difficult.