Sibelius’ 5th Symphony

The evening opens with Brahms’s First Piano Concerto, a work that places the soloist in a complex, often stormy dialogue with the full weight of the orchestra. You will hear how the piano part alternates between quiet, introspective moments and sequences of immense power that require great stamina. The second half of the concert is dedicated to the 1915 original version of Sibelius’s Fifth Symphony. This iteration of the score is less frequently performed than the later, revised version, offering you a rare chance to hear the composer’s initial thoughts and a more expansive structure. Listen for the famous horn theme in the final movement, which was famously inspired by a flight of swans overhead. Throughout the symphony, the woodwinds and brass create textures that evoke the vast landscapes of the North, building towards a conclusion that feels both monumental and deeply personal. We expect the shift from the dense, Romantic weight of Brahms to the clear, sharp air of Sibelius to provide a striking contrast in orchestral colour.

The City of Birmingham Symphony Orchestra is a cornerstone of musical life in the Midlands, performing from their home at Symphony Hall. They are joined by conductor Thomas Dausgaard, who is well-regarded for his particular focus on Nordic repertoire and his detailed approach to large-scale symphonic works. The soloist is the British pianist Benjamin Grosvenor. Known for his technical precision and thoughtful interpretations, he brings a refined touch to the demanding keyboard writing of the nineteenth century. Together, these artists represent a high standard of professional musicianship, often collaborating on programmes that balance core classics with less common editions.

This performance takes place at Symphony Hall in Birmingham and has a total running time of approximately 120 minutes, including an interval. The two-hour duration and the inclusion of well-known composers make this an accessible choice for those new to orchestral music. There is no specific dress code for this venue; most attendees choose smart-casual attire. You will find that the acoustics in this particular hall are designed to support the large orchestral forces required for both the Brahms concerto and the Sibelius symphony.