The Maiden of Venice

We are presented with a production that marries nineteenth-century foundations with modern choreographic perspectives. You will hear the original score by Ludwig Minkus, a composer whose music is synonymous with the grandeur and rhythmic vitality of the classical ballet era. This music provides a sturdy architecture for Carlos Acosta’s own choreography and production, which seeks to revitalise traditional storytelling for contemporary audiences. As the evening unfolds, you should listen for the characteristic brightness and melodic clarity of the Minkus score, which is designed to support high-energy leaps and intricate footwork. The visual world is shaped by the set and costume designs of Anna Fleischle, offering a distinctive aesthetic frame for the narrative. The evening follows a traditional structure where the music and movement are tightly integrated, creating a coherent journey from the opening bars to the final resolution. It is an opportunity to see how a classic musical framework can be reinterpreted through fresh eyes while maintaining its historic charm.

Birmingham Royal Ballet is one of the United Kingdom’s premier touring companies, known for its extensive repertoire that spans both the heritage of the art form and new commissions. Based in the Midlands, the company brings high-calibre dance to stages across the country. In this production, Yu Kurihara takes the title role, showcasing the technical precision required by Acosta's choreography. The performance is led by conductor Gavin Sutherland, a familiar figure in the pit who is highly regarded for his sympathetic understanding of the specific tempos and phrasing required by professional dancers.

The performance takes place at the Lowry in Salford and has a total duration of 165 minutes, which includes intervals. This length makes for a substantial evening out, suitable for those who enjoy being fully immersed in a narrative work. The venue is a modern arts complex with excellent sightlines. As this is a ballet, there is no spoken dialogue or singing, making the story accessible regardless of your primary language. There is no formal dress code required, and the venue usually accommodates a mix of smart-casual and more formal attire.