Mozart’s Requiem with BBC Singers & Eric Whitacre in Edinburgh

The evening is structured around a dialogue between the eighteenth-century traditions of the mass and contemporary choral writing. You will hear a selection of works by Eric Whitacre that emphasise slow-moving, luminous vocal textures, including the iconic Lux Aurumque and his settings of classic poetry. These shorter pieces often rely on close-knit harmonies and suspension, creating a meditative atmosphere before the scale of the performance expands. The final portion of the concert is dedicated to Mozart’s Requiem in D minor. In this specific version, you will listen to the completion by Duncan Druce, which offers a different perspective on the orchestration and development compared to more common editions. We suggest listening for the sharp contrast between the intimate, delicate lines in Lucy Walker’s and Caroline Shaw’s works and the more rigorous, dramatic architectural style that characterises Mozart’s unfinished masterpiece. The presence of the full orchestra alongside the choir ensures a powerful conclusion to this two-hour exploration of mortality and light.

The BBC Scottish Symphony Orchestra is joined by the BBC Singers for this performance, conducted by Eric Whitacre. As the BBC’s professional chamber choir, the singers are known for their versatility across complex contemporary scores and the standard choral canon. They are partnered here by Scotland’s national broadcasting orchestra, an ensemble with a vast discography and a reputation for technical precision. Soprano Eleanor Dennis features as the soloist. Whitacre, appearing here as both composer and conductor, is widely recognised for his distinct approach to choral blend and his long-standing relationship with major UK vocal ensembles.

This performance takes place at the Usher Hall in Edinburgh and has a total duration of 120 minutes. Given the variety of shorter modern works in the first half followed by a substantial, well-known choral work, the event is suitable for those attending a classical concert for the first time. The venue is a traditional concert hall and there is no specific dress code required, though most attendees opt for smart-casual attire. As this is a choral and orchestral concert rather than a staged opera, there are no surtitles or translations provided in the hall.