Kazuki Yamada conducts Boulanger and Ravel

The evening focuses on two substantial French scores that showcase the expressive range of the symphony orchestra and choir. You will hear Lili Boulanger’s cantata, a work that secured her historical recognition as a composer. It requires three soloists to navigate its intense narrative, moving from intimate lyricism to moments of significant tension. Listen for the way the voices interact with the dense orchestral textures to tell a story of earthly desire and consequence. Following the interval, the mood shifts towards the expansive soundscapes of Maurice Ravel. This work is known for its intricate woodwind writing and wordless choral passages that add a layer of atmospheric depth. You might notice the recurring musical themes that weave through the movements, building towards a rhythmically driven and physically energetic conclusion. We will experience a broad spectrum of instrumental colour, from the delicate and shimmering to the grand and percussive, throughout this two-hour performance.

The BBC Symphony Orchestra and Chorus are central to the musical life of London, frequently performing at their Barbican base. They are recognised for their versatility in tackling complex choral works and large-scale twentieth-century repertoire. Conductor Kazuki Yamada leads this performance, bringing his experience in managing intricate textures. He is joined by mezzo-soprano Fleur Barron, tenor Paul Appleby, and baritone Germán Olvera. These soloists are established on the international stage, particularly in operatic and concert roles that demand both technical precision and a strong narrative presence within an orchestral setting.

This performance takes place at the Barbican in London and lasts for approximately 120 minutes, including an interval. The venue is a significant cultural hub in the city with a modern acoustic well-suited to large ensembles. Because the programme features both a dramatic cantata and a famous ballet score, it serves as a good introduction for those new to French impressionist music. There is no specific dress code for this event; standard concert attire is appropriate. Please note that while the first half involves singing, the second half utilises the choir for its textural qualities rather than text.