In Times of War

The evening begins with Robert Schumann’s Symphony No. 3, a work rooted in the textures of the Rhineland. You will hear an opening movement defined by its rhythmic momentum and buoyant character, followed by a sequence that moves through moments of rustic simplicity and solemn, cathedral-like polyphony. It provides a bright, orchestral foundation before the mood shifts significantly after the interval. Following the break, the focus turns to Jörg Widmann’s Cantata in tempore belli. This recent composition addresses the gravity of conflict, moving away from symphonic tradition towards a concentrated reflection on human experience during war. You should listen for the interplay between the soloists and the orchestra, as the piece uses specific vocal textures to explore themes of unrest and survival. The transition from Schumann’s optimism to Widmann’s contemporary examination of global tension shapes a programme that contrasts historical Romanticism with a modern response to the world around us.

The BBC National Orchestra of Wales is joined by Jörg Widmann, who takes on the dual role of conductor and composer for this performance. The orchestra is a cornerstone of Welsh musical life, known for a wide-ranging repertoire that spans from the standard classical canon to complex new commissions. Contralto Jess Dandy and actress Amira Casar appear as soloists, bringing a blend of singing and spoken word to the stage. Widmann is highly regarded for his versatility and his ability to bridge the gap between historical styles and the contemporary avant-garde.

This orchestral concert takes place at Brangwyn Hall in Swansea. The total duration is approximately 120 minutes, including one interval between the Schumann symphony and the Widmann cantata. With a two-hour running time and a programme that balances a familiar nineteenth-century symphony with a modern vocal work, it offers a substantial evening for regular concert-goers. There is no specific dress code for this venue; comfortable smart-casual attire is generally appropriate. Please ensure you are seated before the performance begins to accommodate the specific requirements of the vocal and orchestral staging.