Ballet Music – Stravinsky & Ravel

We are set to experience an evening that captures the physical energy and theatricality of music written for the stage, framed by a rare concerto for two string voices. The programme opens with Igor Stravinsky’s Jeu de cartes, a work that translates the mechanics of a poker game into a vibrant orchestral score. You should listen for the recurring 'deal' motif that signals each new hand, and notice how the composer weaves in sudden rhythmic shifts and dry musical wit to represent the shuffling of cards. This sharp, neoclassical clarity provides a distinct counterpoint to Benjamin Britten’s Double Concerto for Violin and Viola. In this youthful work, you will hear a delicate interplay between the two soloists, with the viola’s mellow timbre acting as a foil to the brighter violin. The evening is shaped to highlight these contrasting textures, moving from the playful, mechanical precision of the ballet to the fluid, lyrical dialogues of the concerto.

The BBC National Orchestra of Wales returns to their regular stage in Swansea, led by conductor Ludovic Morlot. The ensemble is celebrated for its versatility and its ability to navigate the complex rhythms of twentieth-century repertoire with ease. Joining them are soloists Ben Baker and Tim Ridout, who bring their expertise on violin and viola respectively. Morlot is well-known for his clear, balanced interpretations of modern classics, making him an ideal guide for this programme. Together, these musicians represent a high standard of professional performance frequently heard across major venues in the United Kingdom.

This performance takes place at the Brangwyn Hall in Swansea, a venue noted for its acoustics and grand surroundings. The evening has a running time of approximately 120 minutes, including an interval, which makes for a substantial and rewarding experience. If you are new to orchestral music, the rhythmic drive of the ballet scores provides an engaging entry point. There is no specific dress code for this event, and we suggest arriving in whatever makes you feel comfortable for a two-hour concert. Please note that the full programme details beyond these works are not yet confirmed.